The work represents what a young Carlos Jacanamijoy imagined a shaman, like his father, saw—a theme foreign to first-world art. In the scene, schematic rhombuses suggest instruments, while the red line draws a bowl with lunar ends.
The work represents what a young Carlos Jacanamijoy imagined a shaman, like his father, saw—a theme foreign to first-world art. In the scene, schematic rhombuses suggest instruments, while the red line draws a bowl with lunar ends.